A Pilates teacher supports an older client, guiding controlled arm movement and postural awareness. When someone comes to me after a stroke, safety sits at the centre of the conversation. Not as a formality. As a responsibility. This is the point where good teaching starts. In the UK, stroke recovery begins under medical and physiotherapy care. National NHS and NICE guidance is clear. Exercise forms part of recovery once the person is medically stable, but the early direction

A colourful full body figure showing connected movement patterns across the entire human system. I have just finished running a Level 3 Matwork course for the YMCA. Paperwork always waits at the end, quietly judging everyone. One question stood out. Explain the term holistic. In medicine, holistic means looking at the whole body. Not symptoms. Not single muscles. Not one noisy joint asking for attention. It means observing how the body works together. How it moves. How one ar

Strong lines on the reformer. Technique over aesthetics. Teaching should guide movement, not pose it. I spend far too much time on social media. Not scrolling for inspiration, more observing. Watching how Pilates gets presented. And more often than not, I see teaching slowly slipping into performance. You know the accounts. Beautiful studios. Perfect lighting. Matching outfits. The teacher moves well. The post looks polished. Then I watch closer and start asking quiet questio

Teaser on the Pilates chair showing balance, control, spinal organisation, and uncompromising core strength. The teaser already has a reputation. Put it on the chair and it earns it. This is where movement stops pretending. The chair does not give you momentum. It does not help you cheat. It simply waits while your body reveals what is organised and what is not. When clients see the teaser on the chair, the reaction is predictable. They sit down carefully. They look at the pe

Impressive flexibility and control, but advanced teaching asks for more than extreme movement. I was contacted by a studio recently asking me to come in and work with their teaching team. This sort of in house training is happening more and more, which I quietly welcome. It usually means a studio wants consistency, shared language, and fewer moments where one teacher feels like a completely different brand from the next. I replied with a thank you and a simple question. What

Feet soaking in warm, bubbling water, hydrogen peroxide bottle nearby, calm wellness ritual setting. Spend five minutes scrolling and it appears. A bowl of water. Lots of bubbles. Someone telling you toxins leave the body through the feet. The water turns cloudy. The claim sounds confident. The video looks convincing. This is where things get interesting. Hydrogen peroxide reacts when it touches skin. It breaks down into water and oxygen. The oxygen creates bubbles. Warm wate

Kneeling semaphore Pilates exercise on Reformer focusing on lateral flexion and shoulder stability. Semaphore is one of those words that sounds more dramatic than the movement itself. It comes from old signalling systems, where people used arm positions to communicate over distance. Each position had a clear meaning. No waving about. No improvising. If you were sloppy, the message was wrong. That idea fits Pilates rather well. On the Reformer, semaphore becomes a quiet conver

A Joyful holiday message filled with light, warmth, and space to pause and breathe. Today is the 23rd of December. It is our last teaching day. We finish classes today. Live and Online Pilates classes are done. Pantomime is finished. The pace changes. Suddenly. And honestly, it feels welcome. Between now and January the 5th, the calendar opens up. Fewer alarms. Fewer deadlines. More quiet. In many countries, the world softens for a short while. Streets slow down. Expectations

Teacher speaking calmly while clients listen, demonstrating how fewer cues support clearer movement. Teaching often fails through generosity. Too much information. Too many corrections. Too many clever thoughts spoken out loud. You think you help. You drown the client instead. Your Pilates client lies on the mat. You speak about ribs, pelvis, breath, shoulders, jaw, neck, feet, intention, imagery, history, and three principles before the movement even starts. Their body freez

Clear cueing and calm hands, language guiding movement rather than forcing shape. I catch myself doing this. All the time. Halfway through a class, something comes out of my mouth and I think, why did I say that? One of those words is “so”. It slips out. Especially in group classes. Especially when you are tired. It sounds friendly. It sounds normal. It feels like nothing. But it is not nothing? I started noticing what happened in the room when I used it. Some people softened

Mermaid on the mat showing controlled lateral flexion without shoulder strain or excessive arm load. Pilates Mermaid often gets treated like a pretty pause between harder work. That misses the point. This movement asks for control, organisation, and honesty. The mat does not help you. It exposes you. When you look at traditional Pilates mat work, the repertoire is tight. Thirty four movements. Thirty two if you include Criss Cross and Can Can. That is not a lot. Teachers know

Angry reaction to a cold call as a man grips his phone mid conversation indoors. Cold calls interrupt your day. You answer an unknown number and someone launches into a sales pitch while you are busy. The reaction is irritation, raised voice, and a demand to stop calling. Then the phone rings again. Solar panels. Again. This week I was speaking with a marketing specialist who said something uncomfortable. Cold calls still work. Not emotionally. Not politely. Financially. So h

Soft morning light fills the room as you sit with coffee and steady thoughts. Most people move through the week on autopilot. They feel tired, distracted, or unfocused, then blame the usual suspects. Sometimes the problem sits somewhere else. An energy audit brings the focus back to what you do each day and how it affects you. You list the things that lift you. You list the things that drain you. You look at the patterns. You keep it simple. Morning coffee, a short walk, a qu

Quiet moment of reflection in the mirror to reset mindset before teaching. A single thought in the morning sets your direction. It shapes how you move, speak, and respond. It shapes how you teach. When you start your day with one clear positive idea, you give your mind a stable point. This helps you manage pressure, deal with uncertainty, and stay present with your clients. A positive morning thought does not fix everything in your life. It gives you a small reset. It creates

Kneeling long box hip extension showing control, balance, neutral spine, and strong glute work. Today looks at a controlled strength movement on the Reformer. You kneel on the long box, place one foot into a strap, take a four point position, and set a light spring. A blue spring keeps the load sensible. Your goal is to avoid fighting the machine. The movement is simple on paper. You extend the working leg straight back and lift it to hip height. You hold a neutral spine. You

Calm seated twist highlighting focused breath work and easy embodied awareness on the mat. Embodiment is something teachers talk about often, yet it fades once you start teaching full schedules and taking on clients. When you are learning as a teacher you get plenty of natural practice. You move, you repeat, and you spend time in your own body. The shift happens later. Once clients fill your week your attention shifts to them and your own practice slips into the background. E

Colourful display of words that reflect diverse Pilates approaches and teaching identities. There is a lot of noise about classical and contemporary Pilates. The labels follow us around. People toss them into conversations as if they decide the value of the work. The pressure to pick a side feels constant. The name is not the technique. The technique lives in how you teach, how you think, and how you adapt. Your history shapes it. Your training shapes it. Your clients shape i

Balance between tradition and evolution in Pilates and yoga teaching. Yesterday I read a post on a classical Pilates social media thread that stopped me for a moment. The writer claimed that in the method you needed 25 personal training sessions before you were allowed into the open studio to practise. According to them, if you had not done those 25 sessions, you were not considered classical. This was new information for me. New, but not surprising. Even inside the classica

Malcolm shows a strong lumbar flexion curve, holding steady control through the centre. Pilates Movement Monday looks at the Short Box Series, a clear way to strengthen your abdominals and sharpen your control through the centre. The work looks simple, but the challenge sits underneath. You train the deep muscles that support your spine while the larger global muscles learn to move in harmony without gripping or taking over. Breath links the whole thing together. Set the Refo

Athens at dusk reflecting the mix of nostalgia, change, and purpose in teaching. Back in Greece for the first weekend of the Apparatus course, and Athens pulled something out of me I wasn’t expecting. It felt familiar, but it also reminded me how much life has shifted. We had a good time here, but it was a contained life. Quiet. Focused. Different from Scotland, where things feel wider and more connected. You only notice the contrast when you return. Travel itself is its own